On 7th May 1907, after publishing the play Prokletstvo in literary magazine „Savremenik”, the censorship approved performing the play in the Croatian national theatre in the theater season 1906/1907 under the condition that it would have passed through some radical changes. However, twenty days later all rehearsals were banned. Authors, Milan Ogrizović and Andrija Milčinović, show their brief union in resisting censorship publishing Prokletstvo into a separate book in year 1907 with Matosʼ Prologue that critically assails the institutions that stopped the play. Content and repercussions of Matosʼ editorial in Prokletstvo are the starting point of this article that outlines the cultural and political situation in Croatia in the first decade ...
Mòra (The Nightmare), written by Tomislav Bakarić, was published and staged in 1978 to almost hostil...
The article is devoted to the history of M. Komarov’s Odesa almanacs “Rozmova” and “Zavoloka” censor...
Antun Gustav Matoš, central figure of Croatian Modernism became an icon and a legend yet in life, ...
On 7th May 1907, after publishing the play Prokletstvoin literary magazine „Savremenik”, the cens...
U ovom diplomskom radu pod nazivom Hrvatska kazališna kritika od Antuna Gustava Matoša do našeg vrem...
TITLE: Censorship and its influence on the theater during the time of the Protectorate of Bohemia an...
Immediately after the introduction of the King Aleksandar Karađorđević\u27s dictatorship and the cen...
In this paper the authoress refers to examples from the period between the 60s and the beginning of ...
This article examines documentary materials of the Dramatic Society in Ljubljana from the period bet...
The article describes the ban of Association of Croatian Theatre Volunteers in Zagreb [Matica hrvats...
The paper deals with the relationship between Antun Gustav Matoš and the most important people of th...
A serial publication of the Museum of Slavonia the Osijek Journal, which has been coming out since 1...
In her paper the author states the letters and articles in which Matoš has the chance to discuss on ...
Straipsnyje analizuojama viešų lietuviškųjų vakarų repertuaro cenzūra XIX a. pabaigos–XX a. pradžios...
This article examines how Slovenian writers, dramatists, journalists, and publishers dealt with the ...
Mòra (The Nightmare), written by Tomislav Bakarić, was published and staged in 1978 to almost hostil...
The article is devoted to the history of M. Komarov’s Odesa almanacs “Rozmova” and “Zavoloka” censor...
Antun Gustav Matoš, central figure of Croatian Modernism became an icon and a legend yet in life, ...
On 7th May 1907, after publishing the play Prokletstvoin literary magazine „Savremenik”, the cens...
U ovom diplomskom radu pod nazivom Hrvatska kazališna kritika od Antuna Gustava Matoša do našeg vrem...
TITLE: Censorship and its influence on the theater during the time of the Protectorate of Bohemia an...
Immediately after the introduction of the King Aleksandar Karađorđević\u27s dictatorship and the cen...
In this paper the authoress refers to examples from the period between the 60s and the beginning of ...
This article examines documentary materials of the Dramatic Society in Ljubljana from the period bet...
The article describes the ban of Association of Croatian Theatre Volunteers in Zagreb [Matica hrvats...
The paper deals with the relationship between Antun Gustav Matoš and the most important people of th...
A serial publication of the Museum of Slavonia the Osijek Journal, which has been coming out since 1...
In her paper the author states the letters and articles in which Matoš has the chance to discuss on ...
Straipsnyje analizuojama viešų lietuviškųjų vakarų repertuaro cenzūra XIX a. pabaigos–XX a. pradžios...
This article examines how Slovenian writers, dramatists, journalists, and publishers dealt with the ...
Mòra (The Nightmare), written by Tomislav Bakarić, was published and staged in 1978 to almost hostil...
The article is devoted to the history of M. Komarov’s Odesa almanacs “Rozmova” and “Zavoloka” censor...
Antun Gustav Matoš, central figure of Croatian Modernism became an icon and a legend yet in life, ...